Stan Brakhage one of the most important figures in 20th-century experimental film. His designs were simple, but effectively communicated the mood of the film. His work included title sequences for popular films such as The Man with the Golden Arm (1955), Vertigo (1958), Anatomy of a Murder (1959), North by Northwest (1959), Psycho (1960), and Advise & Consent (1962). Saul Bass is a major pioneer in the development of feature film title sequences. One of his most famous works was the animated title sequence from Alfred Hitchcock’s film “Vertigo” in 1958, collaborating with Saul Bass, which featured swirling graphics growing from small to large. John Whitney One of the first uses of the term "motion graphics", who in 1960 founded a company called Motion Graphics Inc. He started his film career in the early 1920’s, starting with abstract films Lichtspiel: Opus I (1921), the first publicly screened abstract film, and Opus II (1923.) The animations were painted with oil on glass plates so the wet paint could be wiped away and modified easily. The films were experiments in new forms of film expression and featured shapes of different colors flowing back and forth and in and out of the lens. He was also film director who worked mainly in experimental film. Walter Ruttmann was a German cinematographer. Important character-timelines (1887-1941) Graphics for television were originally referred to as Broadcast Design. The term motion graphics originated with digital video editing in computing, perhaps to keep pace with newer technology.
The history of motion graphics is closely related to the history of Computer Graphics as the new developments of computer-generated graphics led to wider use of motion design not based on optical film animation. Michael Betancourt wrote the first in-depth historical survey of the field, arguing for its foundations in visual music and the historical abstract films of the 1920s by Walther Ruttmann, Hans Richter, Viking Eggeling and Oskar Fischinger. There have been presentations that could be classified as motion graphics as early as the 1800s. Since there is no universally accepted definition of motion graphics, the official beginning of the art form is disputed.
Note: Click the CC button for English subtitles. Motion graphic clip about alebrijes created by the Museo de Arte Popular in Mexico City.
Motion graphics can be distinguished from typical animation in that they are not strictly character driven or story based and often represent animated abstract shapes and forms such as logos or logo elements. Motion graphics extend beyond the most commonly used methods of frame-by-frame footage and animation.
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Motion graphics are usually displayed via electronic media technology, but may also be displayed via manual powered technology (e.g. Motion graphics (sometimes mograph) are pieces of animation or digital footage which create the illusion of motion or rotation, and are usually combined with audio for use in multimedia projects.